Gregory Volk is a New York-based art critic and freelance curator. He is a regular contributor to Art in America, and his writing has also appeared in numerous other publications, including Parkett and Sculpture. He has recently contributed texts to exhibition catalogues on Joan Jonas (Museu d’Art Contemporani de Barcelona, 2007) and Bruce Nauman (Milwaukee Art Museum, 2006). His essay on Vito Acconci is featured in Vito Acconci: Diary of a Body 1969-1973 (2004). Together with Sabine Russ, Gregory Volk has curated numerous exhibitions, including “Agitation and Repose” at Tanya Bonakdar Gallery, New York; “Public Notice: Paintings in Laumeier Sculpture Park,” St. Louis, Missouri; and “Surface Charge” at Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia. Gregory Volk received his BA from Colgate University, Hamilton, New York and his MA from Columbia University, New York.